A Look At Paul Kenton
One of my art group was particularly taken with the work of Paul Kenton, and why not? Amazing work,…
One of my art group was particularly taken with the work of Paul Kenton, and why not? Amazing work,…
An exploration of impasto layering with a palette knife and colour theory exercise experimenting with techniques and their results…
Portrait painting is a conversation with the subject — even when working from reference. Getting the eyes right is…
There is something meditative about painting still life. The objects don’t move. The challenge is to make the viewer…
Every character starts with a single line. These sketches are from an ongoing picture book project — building personality…
Urban sketching is about capturing a moment before it changes. This harbour scene took 25 minutes — ink first,…
When one medium isn’t enough. This piece started as a collage, then watercolour washes, then ink — each layer…
Acrylics reward speed and confidence. I love how you can build up layers quickly — opaque over transparent, dark…
Cornwall never stops giving. A plethora of vistas, coves, nooks and crannies, marine life in rock pools and sea…
Exploring the way light moves across water in watercolour — loose washes, wet-into-wet, and the patience to let the…
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